One finger plays a dark sounding arpeggio on top of an evolving bass note. I may come back and fill in all the params at some point, but meanwhile you can load the sysex.
Categories: bass, arpeggio
Well, isn’t exactly a snare drum, but it can serve the same purpose.
Sounds like a bass drum in the lower range, maybe toms or snare in the upper. Extend the EG decay for those longer, sustained kicks.
Here’s another bass drum. Cleaner and punchier than my last attempt. The sample shows off this patch alone, then part of a pattern.
A nice moog-style mono tone with a touch of glide and added brightness with higher velocity.
Categories: lead, mono
A sort of classic synth tone with analog waves and filter cutoff controlled by the envelope with plenty of resonance. Chorus and delay round it out.
Categories: basic, resonance, analog
Using slow LFO pitch modulation to create unstable-sounding oscillators like you might find in old, analog gear. This is similar to the “slop” setting on newer DSI prophets.
Categories: basic, vintage, analog
Taking advantage of the digital waves creates a unique and modern timbre with dark-to-bright swooshing from the LFO controlled filter.
Categories: delay, digital
Relaxed, light lead tone reminiscent of vintage movie soundtracks. The Juno 6 has stable oscillators, but we use the LFO to make it sound unstable.
LFO-modulated pulse width plus a darker filter make for some spacey, moving chords.
Categories: ambient, pwm
Monophonic lead tone with a bit of growl on the attack and a touch of glide between notes.
Rhythmic shimmering from LFO-controlled amp and filter. Gradually brightens as notes are held, and swooshes darker as notes are released.
Categories: bright, rhythmic
The ESQ-1 has no reverb, but this eerie patch makes it sound like it does with long release times and LFO-modulated pitch during the release. It also shows how to use some of the less-standard oscillator waves.
Categories: bright, ambient, light, vintage
Unstable-sounding oscillators plus some noise make for a vintage tone. Use it sparingly to accent certain chords.
Categories: dirty, power, vintage
Piercing, shrill and bright with long sustain and gradual darkening.
Categories: bright, clean, sustained
Deep, round and smooth bass. Play in mono mode to roboticize the cutoff between notes.
Hauntingly smooth pad with ridiculously long release time.
This synth bass has some sizzle on the attack, but not too overpowering. Osc sync gives it a unique texture.
Categories: bass, sync
Designed to emulate Clara Rockmore’s masterful theremin tone. The triangle LFO performs the vibrato while the glide takes care of the hand moving up and down in the air.