A screamer with distortion and delay. Good attention grabber.
Select any preset on the microKORG, then send the sysex data from the patches here using a MIDI system exclusive utility for your computer. The patch should load in “audition” mode on the microKORG. Play and tweak as needed, then save the new sound using the “Write” button.
If nothing happens when transmitting the sysex data, try setting the microKORG to receive on a different MIDI channel.
| Synth/Vocoder: | Synth |
| Single/Layer: | Single |
| Voice Assign: | Poly |
| Transpose: | 0 |
| Tune: | 0 |
| Portamento: | 0 |
| Bend Range: | 2 |
| Vibrato Int: | 5 |
| Wave: | Saw |
| Control 1: | 60 |
| Control 2: | 0 |
| Wave: | Square |
| Oscillator Mod: | OFF |
| Semitone: | -12 |
| Tune: | 0 |
| OSC 1 Level: | 127 |
| OSC 2/Inst Level: | 58 |
| Noise Level: | 0 |
| Type: | -12dB LPF |
| Cutoff: | 9 |
| Resonance: | 69 |
| Filter EG Int: | 31 |
| Filter Key Track: | 0 |
| Attack: | 62 |
| Decay: | 100 |
| Sustain: | 0 |
| Release: | 40 |
| EG Reset: | On |
| Level: | 127 |
| Panpot: | 0 |
| Distortion: | On |
| Keybd Track: | 0 |
| Attack: | 0 |
| Decay: | 64 |
| Sustain: | 127 |
| Release: | 72 |
| EG Reset: | On |
| Wave: | Square 1 |
| Key Sync: | OFF |
| Tempo Sync: | Off |
| Frequency: | 76 |
| Wave: | Sine |
| Key Sync: | OFF |
| Tempo Sync: | Off |
| Frequency: | 70 |
| Source: | LFO 1 |
| Destination: | Amp |
| Mod Int: | -46 |
| Source: | LFO 2 |
| Destination: | Pitch |
| Mod Int: | 0 |
| Source: | LFO 1 |
| Destination: | CutOff |
| Mod Int: | 0 |
| Source: | LFO 2 |
| Destination: | CutOff |
| Mod Int: | 0 |
| Type: | Chorus/Flanger |
| LFO Speed: | 20 |
| Effect Depth: | 13 |
| Type: | Stereo Delay |
| Tempo Sync: | Off |
| Delay Time: | 35 |
| Delay Depth: | 96 |
| Low EQ Freq: | 320Hz |
| Low EQ Gain: | 0 |
| Hi EQ Freq: | 6kHz |
| Hi EQ Gain: | 0 |
| Tempo: | 120 |
| Resolution: | 1/16 |
| Gate: | 80 |
| Type: | Up |
| Range: | 1 |
| Latch: | Off |
| Swing: | 0 |
| Key Sync: | Off |
| Last Step: | 8 |
| Enabled: | Off |
SynthLib
printer
thank you! worked great as a substitute for the pursuit of happiness synth in the beginning.