Carl

created by adam (synthlib) on Jun 15, 2016. Related categories: distorted

A screamer with distortion and delay. Good attention grabber.

1 Comment
rated by 1 synth nerd
microKORG Patch Usage

Select any preset on the microKORG, then send the sysex data from the patches here using a MIDI system exclusive utility for your computer. The patch should load in “audition” mode on the microKORG. Play and tweak as needed, then save the new sound using the “Write” button.

If nothing happens when transmitting the sysex data, try setting the microKORG to receive on a different MIDI channel.

SYNTHESIZER T-SHIRTS




GEAR RESOURCES:


Voice

Synth/Vocoder: Synth
Single/Layer: Single
Voice Assign: Poly

Pitch

Transpose: 0
Tune: 0
Portamento: 0
Bend Range: 2
Vibrato Int: 5

OSC1

Wave: Saw
Control 1: 60
Control 2: 0

OSC2

Wave: Square
Oscillator Mod: OFF
Semitone: -12
Tune: 0

Mixer

OSC 1 Level: 127
OSC 2/Inst Level: 58
Noise Level: 0

Filter

Type: -12dB LPF
Cutoff: 9
Resonance: 69
Filter EG Int: 31
Filter Key Track: 0

Filter EG

Attack: 62
Decay: 100
Sustain: 0
Release: 40
EG Reset: On

Amp

Level: 127
Panpot: 0
Distortion: On
Keybd Track: 0

Amp EG

Attack: 0
Decay: 64
Sustain: 127
Release: 72
EG Reset: On

LFO 1

Wave: Square 1
Key Sync: OFF
Tempo Sync: Off
Frequency: 76

LFO 2

Wave: Sine
Key Sync: OFF
Tempo Sync: Off
Frequency: 70

Patch 1

Source: LFO 1
Destination: Amp
Mod Int: -46

Patch 2

Source: LFO 2
Destination: Pitch
Mod Int: 0

Patch 3

Source: LFO 1
Destination: CutOff
Mod Int: 0

Patch 4

Source: LFO 2
Destination: CutOff
Mod Int: 0

Mod FX

Type: Chorus/Flanger
LFO Speed: 20
Effect Depth: 13

Delay

Type: Stereo Delay
Tempo Sync: Off
Delay Time: 35
Delay Depth: 96

EQ

Low EQ Freq: 320Hz
Low EQ Gain: 0
Hi EQ Freq: 6kHz
Hi EQ Gain: 0

Arpeg. A

Tempo: 120
Resolution: 1/16
Gate: 80
Type: Up
Range: 1

Arpeg. B

Latch: Off
Swing: 0
Key Sync: Off
Last Step: 8

Arpeggiator

Enabled: Off

1 Comment


Feb 24, 2024

thank you! worked great as a substitute for the pursuit of happiness synth in the beginning.

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