Roland Juno 6/60 Patches

Roland Juno 6/60 presets

The Juno 6 and Juno 60 analog polyphonic synths offer quick editing with “one knob per function” design. Six voices of polyphony, only two waveform choices (plus a sub oscillator), resonant low-pass filter, one LFO, one envelope, on-board chorus and arpeggiator. Variable pulse width using pulse with modulation opens up sonic possibilities. These Juno 6 patches can also work as Juno 60 patches, JU-06 patches, and any software emulation.

When She's Gone by Colton Zaleschuk on Nov 23, 2022

High synth patch for the Roland Juno 6/60 from When She’s Gone – Josh Fudge. Add some short delay/reverb.

Categories: analog, bright, lead, light

A Storied Past by adam (synthlib) on Sep 06, 2016

Relaxed, light lead tone reminiscent of vintage movie soundtracks. The Juno 6 has stable oscillators, but we use the LFO to make it sound unstable.

Categories: lead

rated by 1 synth nerd

MoonBeam by adam (synthlib) on Aug 30, 2016

LFO-modulated pulse width plus a darker filter make for some spacey, moving chords.

Categories: pwm, ambient

rated by 1 synth nerd

Pierced by adam (synthlib) on Aug 01, 2016

Piercing, shrill and bright with long sustain and gradual darkening.

Categories: bright, clean, sustained

Revel by adam (synthlib) on Jun 30, 2016

This one feels like it is sounding in reverse due to the longer attack time and quick cutoff. Even more backwards: play legato for shorter, abrupt sounds. Play staccato for slightly sustained sounds.

Categories: lead, reverse, strings

Padrick by adam (synthlib) on Jun 27, 2016

Smooth, mellow pad. The filter starts out completely closed, with the envelope and keyboard range opening it up.

Categories: pad

Number 5 by adam (synthlib) on Jun 17, 2016

In case you were wondering what it sounded like with everything set to “5” (or 50%)

Categories: weird, wobble

Bowser by adam (synthlib) on May 25, 2016

Barky tone good for percussive chords. With the filter resonance relatively high, the envelope quickly sweeps the cutoff while also modulating pulse width.

Categories: chords, resonance

Weeble by adam (synthlib) on Apr 29, 2016

Using the LFO as the primary filter modulation source makes some fantastic wobble chords. Adjust the LFO speed to match your tempo.

Categories: wobble, chords

Stringey Lead by adam (synthlib) on Mar 29, 2016

Add bender-controlled pitch variation for a vintage feel to this string-like lead tone.

Categories: strings, lead

That High Part by adam (synthlib) on Mar 14, 2016

Chorusey plucked sound. Nice for high arpeggios.

Categories: plucked

Paddington by adam (synthlib) on Mar 08, 2016

Press the hold button for infinite sustain on this mellow pad.

Categories: pad

Chord Magic by adam (synthlib) on Feb 25, 2016

The filter-controlled envelope really shines here. Useful for full, sustained chords.

Categories: chord, bright

Space Time by adam (synthlib) on Feb 18, 2016

Familiar sci-fi-ish special effect with a slowly rising and falling pitch and rapid wobble.

Categories: sound effect

Face Off by adam (synthlib) on Feb 10, 2016

Adding resonance to a string-like sound with the envelope controlling both the DCA and the filter cutoff.

Categories: strings, resonance

rated by 1 synth nerd

Solar Flare by adam (synthlib) on Feb 01, 2016

Bright sizzle decaying to warmth. Use the hold button for long, overlapping tones.

Categories: ambient, bright

rated by 1 synth nerd

Lead Me Home by adam (synthlib) on Jan 26, 2016 2

Pretend the Juno has a mono mode for this lead. Use the LFO trigger to bring in vibrato on longer notes.

Categories: mono, lead

Big Boy Now by adam (synthlib) on Jan 17, 2016

Bigger than life patch for chords, bass, really anything that needs to be bigger.

Categories: bright, bass, lead

Thin Bass by adam (synthlib) on Jan 08, 2016

Why does every one want a fat bass? Who knows. Here’s a thin one.

Categories: bass

Plucked Lead by adam (synthlib) on Jan 04, 2016

Starts out with a harp-like pluck, then sustained with a synthy tone.

Categories: plucked, lead