Communicator

created by adam (synthlib) on Oct 22, 2015. Related categories: percussion, rhythmic, arp, bright

Tuned percussive tone useful for secondary lines in an arrangement. The arpeggiator is used to as an extension of the delay.

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microKORG Patch Usage

Select any preset on the microKORG, then send the sysex data from the patches here using a MIDI system exclusive utility for your computer. The patch should load in “audition” mode on the microKORG. Play and tweak as needed, then save the new sound using the “Write” button.

If nothing happens when transmitting the sysex data, try setting the microKORG to receive on a different MIDI channel.

SYNTHESIZER T-SHIRTS




GEAR RESOURCES:


Voice

Synth/Vocoder: Synth
Single/Layer: Single
Voice Assign: Unison
Trigger Mode: Single
Unison Detune: 8

Pitch

Transpose: 0
Tune: 0
Portamento: 0
Bend Range: 2
Vibrato Int: 5

OSC1

Wave: DWGS
Control 1: 0
Control 2: 31

OSC2

Wave: Saw
Oscillator Mod: OFF
Semitone: 0
Tune: -4

Mixer

OSC 1 Level: 127
OSC 2/Inst Level: 102
Noise Level: 11

Filter

Type: -12dB LPF
Cutoff: 54
Resonance: 74
Filter EG Int: 19
Filter Key Track: 0

Filter EG

Attack: 0
Decay: 31
Sustain: 60
Release: 0
EG Reset: On

Amp

Level: 127
Panpot: 0
Distortion: Off
Keybd Track: 0

Amp EG

Attack: 0
Decay: 33
Sustain: 0
Release: 0
EG Reset: On

LFO 1

Wave: Triangle
Key Sync: OFF
Tempo Sync: Off
Frequency: 10

LFO 2

Wave: Sine
Tempo Sync: Off
Frequency: 70

Patch 1

Source: LFO 1
Destination: Pitch
Mod Int: 0

Patch 2

Source: LFO 2
Destination: Pitch
Mod Int: 0

Patch 3

Source: LFO 1
Destination: CutOff
Mod Int: 0

Patch 4

Source: LFO 2
Destination: CutOff
Mod Int: 0

Mod FX

Type: Chorus/Flanger
LFO Speed: 20
Effect Depth: 27

Delay

Type: Cross Delay
Tempo Sync: On
Sync Note: 1/16
Delay Depth: 54

EQ

Low EQ Freq: 320
Low EQ Gain: 0
Hi EQ Freq: 600
Hi EQ Gain: 0

Arpeg. A

Tempo: 72
Resolution: 1/16
Gate: 56
Type: Alt 2
Range: 2

Arpeg. B

Latch: Off
Swing: 0
Key Sync: Off
Last Step: 8

Arpeggiator

Enabled: On
Step 1: On
Step 2: On
Step 3: On
Step 4: On
Step 5: On
Step 6: On
Step 7: On
Step 8: On

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