DCO1
Octave (11): |
2-Mid |
Waveform (12): |
2-Saw |
16' (13): |
On |
8' (14): |
On |
4' (15): |
Off |
2' (16): |
Off |
Level (17): |
23 |
DCO2
Octave (21): |
3-High |
Waveform (22): |
1-Square |
16' (23): |
On |
8' (24): |
Off |
4' (25): |
Off |
2' (26): |
Off |
Level (27): |
31 |
Interval (31): |
0 |
Detune (32): |
1 |
VCF
Cutoff (41): |
36 |
Resonance (42): |
8 |
Keybd Track (43): |
1-Half |
Polarity (44): |
2-Up |
EG Int (45): |
15 |
Trigger (46): |
2-Multi |
DEG1 (for DCO1)
Attack (51): |
0 |
Decay (52): |
29 |
Breakpoint (53): |
15 |
Slope (54): |
31 |
Sustain (55): |
6 |
Release (56): |
25 |
DEG2 (for DCO2)
Attack (61): |
19 |
Decay (62): |
6 |
Breakpoint (63): |
8 |
Slope (64): |
21 |
Sustain (65): |
2 |
Release (66): |
31 |
DEG3 (for VCF and Noise)
Attack (71): |
27 |
Decay (72): |
28 |
Breakpoint (73): |
16 |
Slope (74): |
10 |
Sustain (75): |
12 |
Release (76): |
28 |
MG (LFO)
Freq (81): |
3 |
Delay (82): |
4 |
DCO (83): |
1 |
VCF (84): |
1 |
1 Comment
David Cogan
Love it – for the sound: can you reduce the “wavey” envelope attack?: Am I right there in saying that?