Virtual analog synthesizer/vocoder. Two oscillators per voice (4 when layered with timbres). Configurable filter type with its own envelope. Two LFOs, two envelopes, onboard effects, arpeggiator, modular-style virtual patch points. Enjoy these microKORG patches.
Just a simple percussive tone set to an arpeggio to mix with hi-hats at 1/8th or 1/16th notes. Try syncing the synth to midi (turn bottom knob to MIDI, then adjust knob 3.)
Categories: plucked, sequence, percussion, rhythmic
Stuttered melodic lines interrupted by sample & hold LFO.
Categories: weird, rhythmic
Tuned percussive tone useful for secondary lines in an arrangement. The arpeggiator is used to as an extension of the delay.
Categories: bright, percussion, rhythmic, arp
Spacey drawn-out notes with multiple LFOs controlling the filter for an unstable tone.
Categories: pad, ambient
While making this patch, it reminded me of the beginning chords from Animal by Miike Snow. But after listening to the original, it doesn’t sound much like it. Still, it could be useful as prominent rhythmic chords.
Categories: chord, delay
Distorted, piercing lead sound Inspired by “Gun” by CHVRCHES.
Categories: lead, bright, distorted
Spacey slow building chords with gradually opening and closing filter.
Categories: pad, bright
One finger launches a chord in an interesting rhythm thanks to the arpeggiator. Combine two notes for complex harmonies.
Categories: trance, chord, sequence
Select any preset on the microKORG, then send the sysex data from the patches here using a MIDI system exclusive utility for your computer. The patch should load in “audition” mode on the microKORG. Play and tweak as needed, then save the new sound using the “Write” button.
If nothing happens when transmitting the sysex data, try setting the microKORG to receive on a different MIDI channel.