Short and slightly stabby great for accent chords.

Why does every one want a fat bass? Who knows. Here’s a thin one.

Inspired by the syncopated chords in “Time To Get Away” by LCD Soundsystem.

Thick, fuzzy bass tone for when you really want that bass to pop.

From the podcast, here is an example using oscillator sync to tweak the harmonic content of the patch.

Starts out with a harp-like pluck, then sustained with a synthy tone.

Unrealistic combination of waves creates a string-like sound with a metallic ring.

Wah-like bass with some sizzle at the front of each note.

Noise and computery sci-fi sound reminiscent of a space quest.

It transitions…with noise…from one part to another part of yer song.

Synthy stringy sound useful for patterns or sustained chords.

Tuned percussive sound with wooden thump. Almost like a marimba—but electronic.

Dynamic synth bass patch—play harder for brighter attack, softer for darker, rounder sound.

You won’t be able to ignore this bright sound with its automatic octave motion.

Set the mono mode on, and portamento time to 16. (These settings aren’t stored with each patch.)

Like a vintage string machine, warm and soft with a slight attack and long release.

Dark and bright and the same time, use the tempo-synced delays to create machine powered madness.

To celebrate the new Star Wars movie coming out this week, here is a spacey laser effect.

Sonically dense and dark gradually expanding in tone to become bright. Makes for an interesting base to build upon.

This may sound wimpy, but mixed with other drums in a pattern, it works. It can fill the role of snare or claps. Some keys trigger metallic-like sounds.