Add bender-controlled pitch variation for a vintage feel to this string-like lead tone.

The LFO makes it wobble, and is tempo-synced. Use MIDI or the tempo knob to adjust wobble speed.

Soundtrack like pad inspired by Brian Eno ambient tracks.

Twangy percussive sound. Try it in arpeggios.

Fuzzy, simple bass patch with almost no filter or envelope. Super basic.

This microkorg dreamt it was a modular synth and woke up singing this tune.

Chorusey plucked sound. Nice for high arpeggios.

Simple sounding monophonic patch with a touch of glide.

From the manual, testing loading Mother-32 patches on the site.

Deep, round and mellow tone for smooth bass lines and soothing melodies.

Press the hold button for infinite sustain on this mellow pad.

Pluckey percussive thing. Useful in place of marimba or even plucked bass.

Fuzzier version of that slow wah bass.

Round and deep bass with a clinkey attack.

You know, like a laser, but nasaly

The filter-controlled envelope really shines here. Useful for full, sustained chords.

Experimenting with the band-pass filter to create a narrow, piercing tone. Longer notes get thinner as the envelope kicks in.

Clean, simple, analog-like filter sweep built on a single oscillator.

Crisp, clean lead tone with limited harmonics providing focus. The sample shows off rapid arpeggios followed by simpler chords.

Familiar sci-fi-ish special effect with a slowly rising and falling pitch and rapid wobble.