Barky tone good for percussive chords. With the filter resonance relatively high, the envelope quickly sweeps the cutoff while also modulating pulse width.
The low pass filter is used as the sound source with the resonance turned all the way up. Sweep the filter cutoff to go from low, meaty tones to higher-pitch laser sound.
Rapid pitches descending into dark noise. Use this as a transition between song sections.
Haunting lead with panning and extra, unexpected voices
That “wow” sound comes from using oscillator sync together with envelope control of Oscillator 2’s frequency.
Woody and percussive, but still modern and synthetic on purpose. Great for high-range counterpoint.
A shaker with some groove. Bring up the resonance for more of a rattle sound.
Using the LFO as the primary filter modulation source makes some fantastic wobble chords. Adjust the LFO speed to match your tempo.
Brass-like tone not meant to mimic actual brass instruments. Useful for short, prominent chords. Longer notes brighten up over time.
Based on a classic Depeche Mode melody. Both sawtooth and pulse waves are mixed, and the moderate LFO adds a touch of a chorusey sound by modulating the pulse width.
Creating a decent organ patch for the Poly 800 proved to be difficult. Here’s an attempt.
Full organ with lots of harmonics and a cheesy, but effective leslie simulation on the mod wheel.
Slow, because of the slow attack and decay, this bass patch blends notes together in a pattern.
Bass with short bouncy attack. Visit www.CZounds.com for more Casio CZ patches.
Funky bass with a bit of attitude. Visit www.CZounds.com for more Casio CZ patches.
Smooth bass with subtle vibrato expression. Visit www.CZounds.com for more Casio CZ patches.
LFO controlled filter modulation at a moderate speed makes these chords wobble.
Classic and simple lead tone
Wobbly chords. Adjust the LFO speed for faster or slower wobble
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