That “wow” sound comes from using oscillator sync together with envelope control of Oscillator 2’s frequency.

Woody and percussive, but still modern and synthetic on purpose. Great for high-range counterpoint.

A shaker with some groove. Bring up the resonance for more of a rattle sound.

Using the LFO as the primary filter modulation source makes some fantastic wobble chords. Adjust the LFO speed to match your tempo.

Brass-like tone not meant to mimic actual brass instruments. Useful for short, prominent chords. Longer notes brighten up over time.

Based on a classic Depeche Mode melody. Both sawtooth and pulse waves are mixed, and the moderate LFO adds a touch of a chorusey sound by modulating the pulse width.

Creating a decent organ patch for the Poly 800 proved to be difficult. Here’s an attempt.

Full organ with lots of harmonics and a cheesy, but effective leslie simulation on the mod wheel.

Bright, vintage lead

Slow, because of the slow attack and decay, this bass patch blends notes together in a pattern.

Bass with short bouncy attack. Visit www.CZounds.com for more Casio CZ patches.

Funky bass with a bit of attitude. Visit www.CZounds.com for more Casio CZ patches.

Smooth bass with subtle vibrato expression. Visit www.CZounds.com for more Casio CZ patches.

LFO controlled filter modulation at a moderate speed makes these chords wobble.

Classic and simple lead tone

Wobbly chords. Adjust the LFO speed for faster or slower wobble

Sequenced bleeps and bloops with a percussive attack

Add bender-controlled pitch variation for a vintage feel to this string-like lead tone.

The LFO makes it wobble, and is tempo-synced. Use MIDI or the tempo knob to adjust wobble speed.

Soundtrack like pad inspired by Brian Eno ambient tracks.