Let’s use the whole bag of tricks on one sound. This arpeggiated, delayed, phasey, osc sync sound has something for everyone.
This monophonic tone can be used as a lead or a monster bass. The mod wheel is used to sweep the filter as needed.
Nice, warm pad with slow build and long release
Adding resonance to a string-like sound with the envelope controlling both the DCA and the filter cutoff.
Using the ring mod to add some metallic clang to this resonant bass patch.
Dynamic synth strings with sharp rise and fall with a long, muted decay. Add lots of reverb to liven it up and blend.
Nice, big attack with a little brassy flavor useful for chords, bass or leads
A percussive blip with a bit of a zap at the beginning when notes are played harder. Uses amplitude modulation for the metallic sound.
Bright sizzle decaying to warmth. Use the hold button for long, overlapping tones.
Another experiment with rapidly speeding up LFOs—this time with more high-frequency content.
Like a string section except made up of square waves.
Pretend the Juno has a mono mode for this lead. Use the LFO trigger to bring in vibrato on longer notes.
Clean synth bass with a closing envelope on the filter and a touch of resonance.
Glide down in pitch gradually in a spacey transitioner effect.
Use the mod wheel to speed up the LFO just into the audio range, then back it off to expose the base tone.
Slight vowel sound from two synced square waves.
Bigger than life patch for chords, bass, really anything that needs to be bigger.
A mellow, almost flute-like lead tone. Use the mod wheel to bring in a touch of vibrato for a human feel.
Excited and dark at the same time. Useful for punchy and sustained chords.
SynthLib