Nice Eurodance bass sound. In case you do not feel the need to dance, consult your doctor. ;-)
Sounds like a bass drum in the lower range, maybe toms or snare in the upper. Extend the EG decay for those longer, sustained kicks.
Here’s another bass drum. Cleaner and punchier than my last attempt. The sample shows off this patch alone, then part of a pattern.
A nice moog-style mono tone with a touch of glide and added brightness with higher velocity.
Reverb and delay to flavor.
Horns from the blue plant.
A sort of classic synth tone with analog waves and filter cutoff controlled by the envelope with plenty of resonance. Chorus and delay round it out.
Using slow LFO pitch modulation to create unstable-sounding oscillators like you might find in old, analog gear. This is similar to the “slop” setting on newer DSI prophets.
Taking advantage of the digital waves creates a unique and modern timbre with dark-to-bright swooshing from the LFO controlled filter.
Relaxed, light lead tone reminiscent of vintage movie soundtracks. The Juno 6 has stable oscillators, but we use the LFO to make it sound unstable.
LFO-modulated pulse width plus a darker filter make for some spacey, moving chords.
Monophonic lead tone with a bit of growl on the attack and a touch of glide between notes.
Rhythmic shimmering from LFO-controlled amp and filter. Gradually brightens as notes are held, and swooshes darker as notes are released.
The ESQ-1 has no reverb, but this eerie patch makes it sound like it does with long release times and LFO-modulated pitch during the release. It also shows how to use some of the less-standard oscillator waves.
Unstable-sounding oscillators plus some noise make for a vintage tone. Use it sparingly to accent certain chords.
Piercing, shrill and bright with long sustain and gradual darkening.
SynthLib