Unstable-sounding oscillators plus some noise make for a vintage tone. Use it sparingly to accent certain chords.
Piercing, shrill and bright with long sustain and gradual darkening.
Deep, round and smooth bass. Play in mono mode to roboticize the cutoff between notes.
Hauntingly smooth pad with ridiculously long release time.
This synth bass has some sizzle on the attack, but not too overpowering. Osc sync gives it a unique texture.
Very raw aggressive mono bass. Sharp attack, quick release. Almost square wave sounding. Bright resonant filter mapped to CC74.
My favorite patch. Somehow reminiscent of Aphex Twin. Ringing bright organ like sound. Pleasing to the ear.
Interesting use of envelopes to create a pseudo echo effect. Plucky. When note is held repeats begin.
Ominous low bass with swelling attack. Good for dark heavy chords.
Slower attack, mellow with an emerging resonant overtone. Filter mapped to CC74.
Bright sawtooth sounding FM. Analog’ish with low filter cutoff. Assigned to CC74.
Plucked sound with shimmering filter effects, drenched reverb, mid-long release, cycling hold.
Gentle, subtle melodic sound. A bit Vangelis. Panning echoing reverb.
Evolving voice. Harsh. Descending digital airplane. More than a minute long. Panning warbling sub frequencies. Shocking bright release.
SynthLib