The little blip in the middle of that one song by White Town
High synth patch for the Roland Juno 6/60 from When She’s Gone – Josh Fudge. Add some short delay/reverb.
Evolving pad with brassy overtones. Great for long chords with close, staggered notes.
A real speaker ripper. Just a lot going on here. Stacked and distorted. Use sparingly for accents, or lay it on thick to quickly overfill the mix. Loads into User Bank 3, Program 17.
Like a cozy blanket to warm your toes. Not too thick with a moderately long tail. Loads into User Bank 3, Program 1.
A very dark and haunting bass from an earlier time
Swing whoosh sound effect, like when swinging a golf club or tennis racket. Play a short note while flicking the mod wheel from top to bottom. Might take a few tries but has a pretty satisfying sound. Created by modifying the wind on a Korg preset (I c…
Ice chittering, kind of a shivering shaking xylophone knees kind of thing. Adjust the Arp A tempo and delay time/depth to suit the tempo and openness of your music. Created by modifying Thor’s Toy Piano (Thoracius Appotite).
Kind of a fluttery string tremolo sound. Uses two timbres, to double up the octave. If you want to play fast or sound more keys at once, switch the Voice > Single/Layer from Layer to Single (at the expense of doubling the octave).
Quasi-realistic solo harpsichord sound. Very simplistic setup. May want to slightly adjust Amp EG release depending on speed of music being played.
Cello solo sound, roughly based on Welsh’s synthesizer cookbook recipe, altered to sound a little more real. The sample is Bach’s Cello Suite No 1 BMV 1007. It’s a bit thin when combined with other audio, best for solos.
Hold a 5th in LH, play some celtic melody in the right. There’s a subtle pitch wavering… emphasize with additional pitch bends, e.g. starting up.
SynthLib