Adam started synthlib back in 2015 with a dream of helping synth fans make the most of their instruments.
Jun 25, 2015
Woody and percussive, but still modern and synthetic on purpose. Great for high-range counterpoint.
A shaker with some groove. Bring up the resonance for more of a rattle sound.
Using the LFO as the primary filter modulation source makes some fantastic wobble chords. Adjust the LFO speed to match your tempo.
Brass-like tone not meant to mimic actual brass instruments. Useful for short, prominent chords. Longer notes brighten up over time.
Based on a classic Depeche Mode melody. Both sawtooth and pulse waves are mixed, and the moderate LFO adds a touch of a chorusey sound by modulating the pulse width.
Creating a decent organ patch for the Poly 800 proved to be difficult. Here’s an attempt.
Full organ with lots of harmonics and a cheesy, but effective leslie simulation on the mod wheel.
Slow, because of the slow attack and decay, this bass patch blends notes together in a pattern.
LFO controlled filter modulation at a moderate speed makes these chords wobble.
Sequenced bleeps and bloops with a percussive attack
Add bender-controlled pitch variation for a vintage feel to this string-like lead tone.
The LFO makes it wobble, and is tempo-synced. Use MIDI or the tempo knob to adjust wobble speed.
Fuzzy, simple bass patch with almost no filter or envelope. Super basic.
This microkorg dreamt it was a modular synth and woke up singing this tune.
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